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<h2 class="hd hd-2 unit-title">Quiz</h2>
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<h3>Final Quiz: “Black Ships & Samurai” Module</h3>
<p>The history of Perry’s visit to Japan can be told in several different ways. Five possible ways are listed below. Use the dropdown menus to choose the image that provides the best evidence for each version of the story of the black ships. Each image has a unique description, so make sure you look through all five before making your choices! </p>
<p>Credits for all images are at the bottom of the page.</p>
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<td>Image 1<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/06_065_AmericanWarship.jpg" class="modal-content"><img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/06_065_AmericanWarship.jpg" alt="A Foreign Ship" /></a></td>
<td>Image 2<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/01_425_narr_AmGrave.jpg" class="modal-content"><img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/01_425_narr_AmGrave.jpg" alt="Simoda, from the American Grave Yard" /></a></td>
<td>Image 3<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/30_032g_GlorySumo.jpg" class="modal-content"><img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/30_032g_GlorySumo.jpg" alt="The Glory of Sumo Wrestlers at Yokohama" /></a></td>
<td>Image 4<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/10_010_GospelOfGod.jpg" class="modal-content"><img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/10_010_GospelOfGod.jpg" alt="U.S. Japan Fleet, Com. Perry Carrying the "Gospel of God" to the Heathen" /></a></td>
<td>Image 5<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/18_175_telegraph.jpg" class="modal-content"><img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/18_175_telegraph.jpg" alt="Telegraph Line to Treaty House Terminal" /></a></td>
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Multiple Choice
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<p>Select the best answer to each of the five questions below.</p>
<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 1" role="group"><div class="choicegroup capa_inputtype" id="inputtype_7eb718ca729e40d1a791597b49f4fc7f_2_1">
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<legend id="7eb718ca729e40d1a791597b49f4fc7f_2_1-legend" class="response-fieldset-legend field-group-hd">1. For the two centuries before Perry arrived in Edo Bay in 1853, how would you characterize Japan&#8217;s relations with the outside world?</legend>
<div class="field">
<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_2_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_2_1_choice_0" class="field-input input-radio" value="choice_0"/><label id="7eb718ca729e40d1a791597b49f4fc7f_2_1-choice_0-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_2_1_choice_0" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_2_1"> The Japanese government prohibited all contact with foreign countries
</label>
</div>
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<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_2_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_2_1_choice_1" class="field-input input-radio" value="choice_1"/><label id="7eb718ca729e40d1a791597b49f4fc7f_2_1-choice_1-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_2_1_choice_1" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_2_1"> The Japanese government refused to deal with any Christian countries
</label>
</div>
<div class="field">
<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_2_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_2_1_choice_2" class="field-input input-radio" value="choice_2"/><label id="7eb718ca729e40d1a791597b49f4fc7f_2_1-choice_2-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_2_1_choice_2" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_2_1"> The Japanese government carefully controlled trade and diplomacy
</label>
</div>
<div class="field">
<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_2_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_2_1_choice_3" class="field-input input-radio" value="choice_3"/><label id="7eb718ca729e40d1a791597b49f4fc7f_2_1-choice_3-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_2_1_choice_3" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_2_1"> The Japanese government built strong defenses against foreign countries
</label>
</div>
<span id="answer_7eb718ca729e40d1a791597b49f4fc7f_2_1"/>
</fieldset>
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<span class="status unanswered" id="status_7eb718ca729e40d1a791597b49f4fc7f_2_1" data-tooltip="Not yet answered.">
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 2" role="group"><div class="choicegroup capa_inputtype" id="inputtype_7eb718ca729e40d1a791597b49f4fc7f_3_1">
<fieldset aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_3_1">
<legend id="7eb718ca729e40d1a791597b49f4fc7f_3_1-legend" class="response-fieldset-legend field-group-hd">2. What key economic development of the nineteenth century provided the context for Perry&#8217;s arrival in Japan?</legend>
<div class="field">
<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_3_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_3_1_choice_0" class="field-input input-radio" value="choice_0"/><label id="7eb718ca729e40d1a791597b49f4fc7f_3_1-choice_0-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_3_1_choice_0" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_3_1"> The transpacific bullion trade in gold and silver
</label>
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<div class="field">
<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_3_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_3_1_choice_1" class="field-input input-radio" value="choice_1"/><label id="7eb718ca729e40d1a791597b49f4fc7f_3_1-choice_1-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_3_1_choice_1" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_3_1"> The growth of the U.S. Empire in Asia
</label>
</div>
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<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_3_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_3_1_choice_2" class="field-input input-radio" value="choice_2"/><label id="7eb718ca729e40d1a791597b49f4fc7f_3_1-choice_2-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_3_1_choice_2" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_3_1"> The growing commercial might of China
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<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_3_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_3_1_choice_3" class="field-input input-radio" value="choice_3"/><label id="7eb718ca729e40d1a791597b49f4fc7f_3_1-choice_3-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_3_1_choice_3" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_3_1"> The expansion of the whaling industry across the Pacific
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<legend id="7eb718ca729e40d1a791597b49f4fc7f_4_1-legend" class="response-fieldset-legend field-group-hd">3. Which of the following images is not an image of Commodore Perry?</legend>
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<img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/06_066a_Perry.jpg" width="200" alt=""/>
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<img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/18_001_Perry_dag.jpg" width="250" alt=""/>
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<img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/51_030_bsscroll_Perry.jpg" width="250" alt=""/>
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<img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/51_032_bsscroll_AdamsSon.jpg" width="250" alt=""/>
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<legend id="7eb718ca729e40d1a791597b49f4fc7f_5_1-legend" class="response-fieldset-legend field-group-hd">4. Wilhelm Heine&#8217;s images of Japan are notable for their respectful, caring portrayal. Nevertheless, one image in particular provoked outrage and confirmed for many Americans the heathen character of the Japanese. Which image was it?</legend>
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<img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/01_371L_narr_Sumo.jpg" width="450" alt="Wrestlers at Yokuhama"/>
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<img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/01_408aL_narr_Bath.jpg" alt="Public Bath at Simoda" width="450"/>
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<img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/01_456W_narr_Blacksmith.jpg" width="450" alt="Blacksmith's Shop"/>
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<img src="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/images/01_408bL_narr_Priest.jpg" alt="Buddhist priest, Shimoda, in costume" width="300"/>
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<legend id="7eb718ca729e40d1a791597b49f4fc7f_6_1-legend" class="response-fieldset-legend field-group-hd">5. What was the significance of Perry&#8217;s visits to Japan in 1853 and 1854?</legend>
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<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_6_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_6_1_choice_0" class="field-input input-radio" value="choice_0"/><label id="7eb718ca729e40d1a791597b49f4fc7f_6_1-choice_0-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_6_1_choice_0" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_6_1"> Perry was the first Westerner to visit Japan in over two hundred years
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<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_6_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_6_1_choice_1" class="field-input input-radio" value="choice_1"/><label id="7eb718ca729e40d1a791597b49f4fc7f_6_1-choice_1-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_6_1_choice_1" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_6_1"> The treaty signed at Kanagawa marked the beginning of formal relations between Japan and a foreign country
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<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_6_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_6_1_choice_2" class="field-input input-radio" value="choice_2"/><label id="7eb718ca729e40d1a791597b49f4fc7f_6_1-choice_2-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_6_1_choice_2" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_6_1"> Perry&#8217;s visit contributed to the collapse of the Tokugawa government, opening the way to Westernization and modernization
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<input type="radio" name="input_7eb718ca729e40d1a791597b49f4fc7f_6_1" id="input_7eb718ca729e40d1a791597b49f4fc7f_6_1_choice_3" class="field-input input-radio" value="choice_3"/><label id="7eb718ca729e40d1a791597b49f4fc7f_6_1-choice_3-label" for="input_7eb718ca729e40d1a791597b49f4fc7f_6_1_choice_3" class="response-label field-label label-inline" aria-describedby="status_7eb718ca729e40d1a791597b49f4fc7f_6_1"> Perry&#8217;s visit marked the first use of American gunboat diplomacy in Asia, signaling the beginning of U.S. imperial ambitions in the region
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<h3>Congratulations!</h3>
<p>You have completed “Black Ships & Samurai,” the first module of Visualizing Japan X. Great work!</p>
<p>The next two days will provide transitions that bridge the events of the 1850s and early-twentieth-century Japan—the subject of the second module, “Social Protest in Imperial Japan.”</p>
<p>As you move forward in the course, think about how the encounter between Perry and the Japanese continues to echo in later events. ”Westernization” means many things, and remains a key concept even as we turn to two other themes in Japan‘s modern history: protest and modernity.</p>
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<p>Below, find all credits for the images in both parts of the Unit Quiz. All images are <a href="http://creativecommons.org/licenses/by-nc-sa/2.5/" target="[object Object]">CC BY NC SA</a>, and can be found on the Visualizing Cultures website by clicking on the image number.</p>
<p>Evans, James G. <em>U.S. Japan Fleet, Com. Perry Carrying the "Gospel of God" to the Heathen, 1853</em>. ca. 1853. Oil on canvas. Chicago Historical Society. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/10_010_GospelOfGod.htm" target="[object Object]">10_010_GospelOfGod</a>]</p>
<p>Heine, William. <em>Simoda, from the American Grave Yard</em>. ca. 1856. Lithograph. <em>Narrative of the Expedition</em>. Edited by Francis L. Hawks. Washington, D.C., 1856. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/01_425_narr_AmGrave.htm" target="[object Object]">01_425_narr_AmGrave</a>]</p>
<p><em>A Foreign Ship</em>. Late-19th century Woodblock print. Nagasaki Prefectural Art Museum. <em>Nagasaki, Yokohama, Tokyo fubutsushi ten zuroku</em>. Ed. Nagasaki kenritsu bijutsu hakubutsukan. Nagasaki: 1996. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/06_065_AmericanWarship.htm" target="[object Object]">06_065_AmericanWarship</a>]</p>
<p><em>Telegraph Line to Treaty House Terminal</em>. 1854. Painting. Historiographical Institute, University of Tokyo. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/18_175_telegraph.htm" target="[object Object]">18_175_telegraph</a>]</p>
<p><em>The Glory of Sumo Wrestlers at Yokohama</em>. 1860. Woodblock Print. Ryōsenji Treasure Museum. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/30_032g_GlorySumo.htm" target="[object Object]">30_032g_GlorySumo</a>]</p>
<p><em>Portrait of Perry, a North American</em>. Late-19th century. Woodblock print. <em>Nagasaki, Yokohama, Tokyo fūbutsushi ten zuroku</em>. Nagasaki: Nagasaki Kenritsu Bijutsu Hakubutsukan, 1996. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/06_066a_Perry.htm" target="[object Object]">06_066a_Perry</a>]</p>
<p>Peters. <em>Portrait of Perry</em>. 1852. Daguerreotype. Library of Congress. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/18_001_Perry_dag.htm" target="[object Object]">18_001_Perry_dag</a>]</p>
<p><em>Black Ship Scroll</em>. 1854. Hand scroll. Honolulu Academy of Arts. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/51_030_bsscroll_Perry.htm" target="[object Object]">50_030</a>] and [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/51_032_bsscroll_AdamsSon.htm" target="[object Object]">51_032</a>]</p>
<p>Peters, W.T. <em>Wrestlers at Yokuhama</em>. ca. 1856. Lithograph. <em>Narrative of the Expedition</em>. Edited by Francis L. Hawks. Washington, D.C., 1856. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/01_371L_narr_Sumo.htm" target="[object Object]">01_371L_narr_Sumo</a>]</p>
<p>Heine, William. <em>Public Bath at Simoda</em>. ca. 1856. Lithograph. <em>Narrative of the Expedition</em>. Edited by Francis L. Hawks. Washington, D.C., 1856. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/01_408aL_narr_Bath.htm" target="[object Object]">01_408aL_narr_Bath</a>]</p>
<p>Heine, William. <em>Blacksmith's Shop</em>. Ca. 1856. Illustration. <em>Narrative of the Expedition</em>. Edited by Francis L. Hawks. Washington, D.C., 1856. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/01_456W_narr_Blacksmith.htm" target="[object Object]">01_456W_narr_Blacksmith</a>]</p>
<p>Brown, Eliphalet. <em>Buddhist priest, Shimoda, in costume</em>. ca1856. Daguerreotype. <em>Narrative of the Expedition</em>. Edited by Francis L. Hawks. Washington, D.C., 1856. [<a href="http://ocw.mit.edu/ans7870/21f/21f.027/black_ships_and_samurai/gallery/pages/01_408bL_narr_Priest.htm" target="[object Object]">01_408bL_narr_Priest</a>]</p>
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