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<h2 class="hd hd-2 unit-title">Day 4 - Modules Overview</h2>
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<p>Module I wraps up with Professors Dower and Ulak giving a brief overview of the course structure:</p>
<ul>
<ul>
<li>Five-Module Structure of the Course </li>
<li>Preview Module II—Gaslit Tokyo: Kiyochika </li>
<li>Preview Module III—Tokyo Between the Earthquake & the Bombs: Koizumi </li>
<li>Preview Module IV—Tokyo Modern: 100 Views by 8 Artists</li>
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<h2 class="hd hd-2 unit-title">Five-Module Structure of the Course</h2>
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<p>Prof. Dower describes the course structure:</p>
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<ul>
<li><span style="font-size: 1em;">Module I—Introduction</span></li>
<li><span style="font-size: 1em;">Module II—Gaslit Tokyo: Kiyochika</span></li>
<li><span style="font-size: 1em;">Module III—Tokyo Between the Earthquake & the Bombs: Koizumi</span></li>
<li><span style="font-size: 1em;">Module IV—Tokyo Modern: 100 Views by 8 Artists</span></li>
<li><span style="font-size: 1em;">Module V—Conclusion</span></li>
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<h2 class="hd hd-2 unit-title">Preview Module II—Gaslit Tokyo: Kiyochika</h2>
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<p>Prof. Dower gives a preview of ”Module II—Gaslit Tokyo: Kiyochika“ featuring the print series: Kiyochika's ”Famous Places of Tokyo“ (1876–1881). </p>
<p>Module II begins with the rupture that lead to the Meiji Restoration of 1868, a significant event in the life of the young artist that heavily influenced his views of Tokyo:</p>
<blockquote>
<h5>With the Meiji Restoration in 1868, Kobayashi Kiyochika (1847-1915), who had fought on the side of the defeated Tokugawa shogun, retreated to the provinces for a hiatus of six years. He finally returned to the capital in 1874. Between 1876 and 1881, he produced an unusual series of woodblock prints titled “Famous Places of Tokyo.” These elegant views convey a sense of both change and loss strikingly different from the brightly colored prints of his contemporaries that celebrated Westernization in all its forms. (Ulak: Introduction, <em>Kiyochika's Tokyo—1</em>, MIT Visualizing Cultures)</h5>
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<h3 class="hd hd-2">Preview Module II—Gaslit Tokyo: Kiyochika</h3>
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<div><strong>”Tokyo by Night – Tokyo by Day“</strong><br /><br /></div>
<div>Here, you can compare these two grids of selected views to see ”Tokyo by Night“ and ”Tokyo by Day.“<br /><br /></div>
<div><img height="auto" width="100%" src="/assets/courseware/v1/def68a430ec9ba7f87c8f46dfb630f7e/asset-v1:MITx+VTx+1T2019+type@asset+block/tokyo-by-night_kiyochika.jpg" alt="Tokyo by Night, a grid of twelve night scenes from Kiyochika’s woodblock print series, “Famous Places of Tokyo” (1876–1881), from “Kiyochika’s Tokyo l,” MIT Visualizing Cultures" /></div>
<h5><br />Caption (above): ”Tokyo by Night,“ a grid of twelve night scenes from Kiyochika’s woodblock print series, “Famous Places of Tokyo” (1876–1881), from “Kiyochika’s Tokyo l,” MIT Visualizing Cultures (Images: The Robert O. Muller Collection of the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution)<br /><br /></h5>
<div><img height="auto" width="100%" src="/assets/courseware/v1/c8342985e9111fb4a26fc953c8b5c800/asset-v1:MITx+VTx+1T2019+type@asset+block/tokyo-by-day_kiyochika-grid.jpg" alt="Tokyo by Day, a grid of twelve night scenes from Kiyochika’s woodblock print series, “Famous Places of Tokyo” (1876–1881), from “Kiyochika’s Tokyo l,” MIT Visualizing Cultures" /></div>
<h5><br />Caption (above): ”Tokyo by Day,“ a grid of twelve night scenes from Kiyochika’s woodblock print series, “Famous Places of Tokyo” (1876–1881), from “Kiyochika’s Tokyo l,” MIT Visualizing Cultures (Images: The Robert O. Muller Collection of the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution)</h5>
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<h2 class="hd hd-2 unit-title">Preview Module III—Tokyo Between the Earthquake & the Bombs: Koizumi</h2>
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<p>Prof. Dower previews Module III—Tokyo Between the Earthquake & the Bombs: Koizumi.</p>
<p>Featuring the print series: <strong>Koizumi Kishio, “100 Views of Great Tokyo in the Shōwa Era” (1928–1940)</strong>, the module uses<strong> </strong>Koizumi‘s images to explore the rebirth of Tokyo in the years following the Great Kantō earthquake of 1923. The prints depict the transformation of an important Asian city as it embraced modernity, maintained traditions, and became the site of ultimately disastrous political policies.</p>
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<h3 class="hd hd-2">Module III—Tokyo Between the Earthquake & the Bombs: Koizumi</h3>
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<p>Once again, a grid of images from the Visualizing Cultures unit gives you a feeling for the town Koizumi saw and created in his work.</p>
<p><img src="/assets/courseware/v1/f99e3383629f63fe68c50b07fc54a010/asset-v1:MITx+VTx+1T2019+type@asset+block/modern_grid_18_sites.jpg" alt="Grid of 18 sites from Koizumi’s 100 Views of Great Tokyo in the Showa Era (1928–1940)" /></p>
<h5>Tokyo Modern – grid of 18 sites from Koizumi’s “100 Views of Great Tokyo in the Shōwa Era,” (1928–1940), from ”Tokyo Modern l,” MIT Visualizing Cultures (Images: The Wolfsonian–FIU, Miami Beach, FL, The Mitchell Wolfson, Jr. Collection)</h5>
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<h2 class="hd hd-2 unit-title">Preview Module IV—Tokyo Modern: 100 Views by 8 Artists</h2>
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<p>Preview of Module IV—Tokyo Modern: 100 Views by 8 Artists.</p>
<p>Module IV features the print series <strong>8 artists, “100 Views of New Tokyo," 1928–1932</strong>. In 1928, eight woodblock artists working in the <em>sōsaku-hanga</em> (creative prints) mode embarked on a subscription series titled “100 Views of New Tokyo” (<em>Shin Tokyo Hyakkei</em>). Over a period of four years, each artist contributed 12 to 13 views.</p>
<p>While many subjects overlap with Koizumi Kishio‘s parallel series initiated in 1928, aspects of the new Tokyo were depicted that Koizumi had ignored.</p>
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<h3 class="hd hd-2">Preview Module IV—Tokyo Modern: 100 Views by 8 Artists</h3>
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<div>In this selection, you can see a great variation of styles in the following thumbnails (below). Their lively treatments convey a ”jazzy,“ modern town.<br /><br /></div>
<center><img src="/assets/courseware/v1/6d03f4c7e55eb1e1998d15bb1d3c4ed3/asset-v1:MITx+VTx+1T2019+type@asset+block/100_views_8_artists_grid.jpg" alt="100 Views of New Tokyo by 8A rtists grid" width="100%" height="auto" /></center>
<h5>“100 Views of New Tokyo by 8 Artists” grid, from “Tokyo Modern lll,” MIT Visualizing Cultures (Images: The Wolfsonian–FIU, Miami Beach, FL, The Mitchell Wolfson, Jr. Collection)</h5>
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