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<h2 class="hd hd-2 unit-title">Module ll Exam</h2>
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<p>In the <strong>Module II Final Exam</strong>, we will introduce some new Kiyochika prints for your evaluation (and enjoyment).</p>
<p>1 - Driving in the snow at night:</p>
<h5><img height="auto" width="100%" src="/assets/courseware/v1/2ebb843b5d0dff84af1bb50ba5973be1/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1122.jpg" alt="#22 Night Snow at Honchō-dōri, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></h5>
<h5></h5>
<h5>Caption (above): #22 Night Snow at Honchō-dōri, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo [S2003_8_1122]</h5>
<p></p>
<p>You will notice that the following print is dated 1929, although Kiyochika died in 1915. A number of prints were published posthumously. François Lachaud wrote:</p>
<blockquote>
<h5>When he died, Kiyochika had barely completed half of the drawings. After the earthquake of 1923, the woodblocks were damaged in the warehouses of Matsuki, who nevertheless managed to rehabilitate a number of them and revive the series in 1929. Printed after the artist's death, despite certain technical defects, plus the artist's [known] reluctance to repeat himself during later years, this publication shows the interest shown in his work by a growing number of admirers. (François Lachaud, "Les provinces de la nuit: quelques nocturnes de Kobayashi Kiyochika (1847-1915)," <em>Arts Asiatiques</em> #66, 2011, excerpt translated from French)</h5>
</blockquote>
<h5><img height="auto" width="100%" src="/assets/courseware/v1/7103b6ac9bca855c8148a182a3cab318/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1246.jpg" alt="#1246 Night Snow in Tamachi, Yoshiwara Embankment, 1929, by Kobayashi Kiyochika, woodblock print (printed posthumously)" /></h5>
<h5></h5>
<h5>Caption (above) #1246 Night Snow in Tamachi, Yoshiwara Embankment, 1929, by Kobayashi Kiyochika, woodblock print (printed posthumously) [S2003_8_1246]</h5>
<p></p>
<p>Compare the two prints, and answer the quiz:</p>
<h5>22<img height="auto" width="45%" src="/assets/courseware/v1/2ebb843b5d0dff84af1bb50ba5973be1/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1122.jpg" alt="#22 Night Snow at Honchō-dōri, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /> 1247<img height="auto" width="45%" src="/assets/courseware/v1/7103b6ac9bca855c8148a182a3cab318/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1246.jpg" alt="#1246 Night Snow in Tamachi, Yoshiwara Embankment, 1929, by Kobayashi Kiyochika, woodblock print (printed posthumously)" /></h5>
<p></p>
<p></p>
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<label class="problem-group-label" for="input_3d7d4a98640c4abebe371422df665f70_2_1" id="label_3d7d4a98640c4abebe371422df665f70_2_1">Which scene shows a contrast between full speed and the tranquility of the street?</label>
<select name="input_3d7d4a98640c4abebe371422df665f70_2_1" id="input_3d7d4a98640c4abebe371422df665f70_2_1" aria-describedby="status_3d7d4a98640c4abebe371422df665f70_2_1">
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<p class="answer" id="answer_3d7d4a98640c4abebe371422df665f70_2_1"/>
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 2" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_3d7d4a98640c4abebe371422df665f70_3_1" id="label_3d7d4a98640c4abebe371422df665f70_3_1">Which scene has a mysterious hidden figure introducing oppositional movement to the vehicle?</label>
<select name="input_3d7d4a98640c4abebe371422df665f70_3_1" id="input_3d7d4a98640c4abebe371422df665f70_3_1" aria-describedby="status_3d7d4a98640c4abebe371422df665f70_3_1">
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<label class="problem-group-label" for="input_3d7d4a98640c4abebe371422df665f70_4_1" id="label_3d7d4a98640c4abebe371422df665f70_4_1">Which scene is missing the driver?</label>
<select name="input_3d7d4a98640c4abebe371422df665f70_4_1" id="input_3d7d4a98640c4abebe371422df665f70_4_1" aria-describedby="status_3d7d4a98640c4abebe371422df665f70_4_1">
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<label class="problem-group-label" for="input_3d7d4a98640c4abebe371422df665f70_5_1" id="label_3d7d4a98640c4abebe371422df665f70_5_1">Which scene is missing the passenger?</label>
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<label class="problem-group-label" for="input_3d7d4a98640c4abebe371422df665f70_6_1" id="label_3d7d4a98640c4abebe371422df665f70_6_1">Which scene shows a contrast between full-speed and the tranquility of the street?</label>
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<option value="22, the 1880 print"> 22, the 1880 print</option>
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<option value="both"> both</option>
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<label class="problem-group-label" for="input_3d7d4a98640c4abebe371422df665f70_7_1" id="label_3d7d4a98640c4abebe371422df665f70_7_1">In which scene are the travellers isolated and alienated far from town?</label>
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<option value="both"> both</option>
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<span class="status unanswered" id="status_3d7d4a98640c4abebe371422df665f70_7_1" data-tooltip="Not yet answered.">
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<label class="problem-group-label" for="input_3d7d4a98640c4abebe371422df665f70_8_1" id="label_3d7d4a98640c4abebe371422df665f70_8_1">Which scene emphasizes "opposition between dynamism and stop, between light and shadow" (Lachaud)</label>
<select name="input_3d7d4a98640c4abebe371422df665f70_8_1" id="input_3d7d4a98640c4abebe371422df665f70_8_1" aria-describedby="status_3d7d4a98640c4abebe371422df665f70_8_1">
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<p class="answer" id="answer_3d7d4a98640c4abebe371422df665f70_8_1"/>
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<label class="problem-group-label" for="input_3d7d4a98640c4abebe371422df665f70_9_1" id="label_3d7d4a98640c4abebe371422df665f70_9_1">In which scene is a dog racing alongside, underscoring a sense of urgency, and a gas lamp illuminates a store sign that reads &#8220;drugs&#8221;?</label>
<select name="input_3d7d4a98640c4abebe371422df665f70_9_1" id="input_3d7d4a98640c4abebe371422df665f70_9_1" aria-describedby="status_3d7d4a98640c4abebe371422df665f70_9_1">
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<p><strong>2 - Bricktown </strong></p>
<p></p>
<p>Almost immediately after the formation of the reform Meiji government in 1868, Japanese officials sought out expert instruction and advice from Europe and North America in all areas required to make Japan competitive with the West—military, industrial, transportation, and education systems were explored. One consequence was the proliferation of brick structures across the city.</p>
<p><img height="auto" width="100%" src="/assets/courseware/v1/33a3dde970624cec493e577d72eada39/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_187.jpg" alt="187 The Suspension Bridge in Castle Grounds, ca. 1879, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<h5>Caption (above): 187, The Suspension Bridge in Castle Grounds, ca. 1879, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<h5></h5>
<p><img height="auto" width="100%" src="/assets/courseware/v1/d13b29e9439a12c18337298660be873c/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1167.jpg" alt="67 Sunrise at Yorozubashi bridge, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<h5>Caption (above): 67, Sunrise at Yorozubashi bridge, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<h5></h5>
<p><img height="auto" width="100%" src="/assets/courseware/v1/f75ebe2ffb8fff4f3c29766a74ff5e28/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1140.jpg" alt="40 Museum Fountain at the Second Domestic Exposition, 1881, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<h5>Caption (above): 40, Museum Fountain at the Second Domestic Exposition, 1881, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<h5></h5>
<p><img height="auto" width="100%" src="/assets/courseware/v1/ab0cd1160365772072e01b5651de6273/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1120.jpg" alt="20 Tameike,1881, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<h5>Caption (above): 20, Tameike,1881, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
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<legend id="cd5ccc5b29884d78a43029f5ddf682eb_2_1-legend" class="response-fieldset-legend field-group-hd">In Kiyochika's images of brick structures in the Tokyo, which statements are most valid?</legend>
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<input type="checkbox" name="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1[]" id="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_0" class="field-input input-checkbox" value="choice_0"/><label id="cd5ccc5b29884d78a43029f5ddf682eb_2_1-choice_0-label" for="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_0" class="response-label field-label label-inline" aria-describedby="status_cd5ccc5b29884d78a43029f5ddf682eb_2_1"> the buildings were mostly built for government or private industry use
</label>
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<input type="checkbox" name="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1[]" id="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_1" class="field-input input-checkbox" value="choice_1"/><label id="cd5ccc5b29884d78a43029f5ddf682eb_2_1-choice_1-label" for="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_1" class="response-label field-label label-inline" aria-describedby="status_cd5ccc5b29884d78a43029f5ddf682eb_2_1"> they were odd accents in the old landscape
</label>
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<input type="checkbox" name="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1[]" id="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_2" class="field-input input-checkbox" value="choice_2"/><label id="cd5ccc5b29884d78a43029f5ddf682eb_2_1-choice_2-label" for="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_2" class="response-label field-label label-inline" aria-describedby="status_cd5ccc5b29884d78a43029f5ddf682eb_2_1"> they were the efforts of foreign architects as well as Japanese who trained under them
</label>
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<input type="checkbox" name="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1[]" id="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_3" class="field-input input-checkbox" value="choice_3"/><label id="cd5ccc5b29884d78a43029f5ddf682eb_2_1-choice_3-label" for="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_3" class="response-label field-label label-inline" aria-describedby="status_cd5ccc5b29884d78a43029f5ddf682eb_2_1"> they were praised by Western visitors as excellent examples of Western style buildings
</label>
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<input type="checkbox" name="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1[]" id="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_4" class="field-input input-checkbox" value="choice_4"/><label id="cd5ccc5b29884d78a43029f5ddf682eb_2_1-choice_4-label" for="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_4" class="response-label field-label label-inline" aria-describedby="status_cd5ccc5b29884d78a43029f5ddf682eb_2_1"> Kiyochika neither celebrates nor degrades this development, but his images suggest the profound unease of placement
</label>
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<input type="checkbox" name="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1[]" id="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_5" class="field-input input-checkbox" value="choice_5"/><label id="cd5ccc5b29884d78a43029f5ddf682eb_2_1-choice_5-label" for="input_cd5ccc5b29884d78a43029f5ddf682eb_2_1_choice_5" class="response-label field-label label-inline" aria-describedby="status_cd5ccc5b29884d78a43029f5ddf682eb_2_1"> they were superior to Japanese traditional buildings in that they survivied fire unharmed
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<span id="answer_cd5ccc5b29884d78a43029f5ddf682eb_2_1"/>
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<p><strong>3 - Natural Light, Fireflies</strong></p>
<p>Two prints lit by fireflies represent another facet of Kiyochika’s nocturnes. Of the first, Lachaud wrote:</p>
<blockquote>
<h5>The view represents the Kanda river on which a covered boat floats with its passengers on board devoting themselves on a hot summer night to "firefly hunting" (<em>j. hotarugari</em>). The fireflies ... [lie] against the lights of civilization and the various modern lighting systems that track every individual, and return it to a new isolation without remedy. (François Lachaud, "Les provinces de la nuit: quelques nocturnes de Kobayashi Kiyochika (1847-1915)," <em>Arts Asiatiques</em> #66, 2011, excerpt translated from French)</h5>
<p></p>
</blockquote>
<p><strong><img height="auto" width="100%" src="/assets/courseware/v1/04df378939511b022a9657c733492c0e/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1131.jpg" alt="31, Fireflies at Ochanomizu, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo " /></strong></p>
<h5>Caption (above): 31, Fireflies at Ochanomizu, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo </h5>
<p></p>
<p><img height="auto" width="100%" src="/assets/courseware/v1/0f91ac4a55ac2590d5774b2ead7bc57c/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1178.jpg" alt="78, Koromogawa river at Tennōji-shita, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<h5>Caption (above): 78, Koromogawa river at Tennōji-shita, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
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<p>Which "firefly" print (or prints) is described?</p>
<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 1" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_f76abc5db46141f9a399d933d9bb65d6_2_1" id="label_f76abc5db46141f9a399d933d9bb65d6_2_1">The print shows a privileged few immersed in nature in the old manner that would soon disappear.</label>
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<option value="31, Fireflies at Ochanomizu"> 31, Fireflies at Ochanomizu</option>
<option value="78, Koromogawa river at Tenn&#333;ji-shita"> 78, Koromogawa river at Tenn&#333;ji-shita</option>
<option value="both"> both</option>
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<label class="problem-group-label" for="input_f76abc5db46141f9a399d933d9bb65d6_3_1" id="label_f76abc5db46141f9a399d933d9bb65d6_3_1">Kiyochika masterfully achieves delicate point light sources and flecks in the river that evoke an ephemeral dream.</label>
<select name="input_f76abc5db46141f9a399d933d9bb65d6_3_1" id="input_f76abc5db46141f9a399d933d9bb65d6_3_1" aria-describedby="status_f76abc5db46141f9a399d933d9bb65d6_3_1">
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<option value="31, Fireflies at Ochanomizu"> 31, Fireflies at Ochanomizu</option>
<option value="78, Koromogawa river at Tenn&#333;ji-shita"> 78, Koromogawa river at Tenn&#333;ji-shita</option>
<option value="both"> both</option>
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<p class="answer" id="answer_f76abc5db46141f9a399d933d9bb65d6_3_1"/>
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<label class="problem-group-label" for="input_f76abc5db46141f9a399d933d9bb65d6_4_1" id="label_f76abc5db46141f9a399d933d9bb65d6_4_1">The darkness is pierced by complex light sources: interior; light in motion held by a servant on a bridge; fireflies &#8212; as a sequence of civilization to nature.</label>
<select name="input_f76abc5db46141f9a399d933d9bb65d6_4_1" id="input_f76abc5db46141f9a399d933d9bb65d6_4_1" aria-describedby="status_f76abc5db46141f9a399d933d9bb65d6_4_1">
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<option value="31, Fireflies at Ochanomizu"> 31, Fireflies at Ochanomizu</option>
<option value="78, Koromogawa river at Tenn&#333;ji-shita"> 78, Koromogawa river at Tenn&#333;ji-shita</option>
<option value="both"> both</option>
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<p><strong>4 - High City, Low City</strong></p>
<p>The premodern city of Edo was basically structured around two points: the circular moat of the Edo Castle and the north-south axis of the Sumida River. Daimyo estates surrounded the castle’s circumference and the eastern edges of that circle abutted the north south axis of the lower city, the hub of commerce and entertainment. Traditional woodblock prints of the premodern era focused primarily on the life of the marsh/estuary low city (<em>kawanote</em> “toward the river”). With the social and economic upheaval of the Meiji restoration, the samurai class was obliterated and the vast estates that encircled the castle were opened as large parks or otherwise became available for public use. The upper reaches of hill land or the high city (<em>yamanote</em> “toward the mountains”) were available for development, for outings and to provide an elevated view of the cityscape to many for the first time. Here no fictional construct of a bird’s eye view was required; geography provided it. With expanded access the mythologies of elevation and separation diminished.</p>
<p></p>
<p>Take a look at the high and low city. Some of the prints you'll recognize, others will be new. Then, answer the questions at the end.</p>
<p></p>
<p><strong>High City</strong></p>
<p><img height="auto" width="100%" src="/assets/courseware/v1/875334e97b071a965f8e8f81c49fce36/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1109.jpg" alt="09, Kinokunizaka in Akasaka, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<h5>Caption (above): 09, Kinokunizaka in Akasaka, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<blockquote>
<h5></h5>
</blockquote>
<p><img height="auto" width="100%" src="/assets/courseware/v1/fceed01cdfc3edc3bfcb25d083b6af59/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1136.jpg" alt="36, View of Atagoyama, 1878, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<h5>Caption (above): 36, View of Atagoyama, 1878, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<blockquote>
<p></p>
</blockquote>
<h5><img height="auto" width="100%" src="/assets/courseware/v1/3d7f3ee42fc7e03ac2f2d14c612437c1/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1142.jpg" alt="42,View from the Old Yushima Seidō, 1879, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></h5>
<h5>Caption (above): 42, View from the Old Yushima Seidō, 1879, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<p></p>
<blockquote>
<p></p>
</blockquote>
<h5><img height="auto" width="100%" src="/assets/courseware/v1/436373123be0a714d12bf80e8aaa5dd3/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1132.jpg" alt="32, Daybreak at Kanda Shrine, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></h5>
<h5>Caption (above): 32, Daybreak at Kanda Shrine, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<blockquote>
<h5></h5>
</blockquote>
<p><strong>Low City:</strong></p>
<h5><img height="auto" width="100%" src="/assets/courseware/v1/0ca702ad9f3690c4f42f2b38f5588c82/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1137.jpg" alt="37, Mount Fuji from Edobashi at Dusk, 1879, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></h5>
<h5>Caption (above): 37, Mount Fuji from Edobashi at Dusk, 1879, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<blockquote>
<p></p>
</blockquote>
<h5><img height="auto" width="100%" src="/assets/courseware/v1/75a288b85621ec7bca1b7ce61498ccfb/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1171.jpg" alt="71, Ryōgoku Bridge Viewed from Senhonkui, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></h5>
<h5>Caption (above): 71, Ryōgoku Bridge Viewed from Senhonkui, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<blockquote>
<p></p>
</blockquote>
<h5><img height="auto" width="100%" src="/assets/courseware/v1/d223abdf712781defc5ed6243e83e1d6/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1104.jpg" alt="04, Along Shinobazu Pond in the Rain, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></h5>
<h5>Caption (above): 04, Along Shinobazu Pond in the Rain, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo</h5>
<blockquote>
<p></p>
</blockquote>
<p>Here are the images in a grid.</p>
<p>High City:</p>
<p style="font-size: 16px;">09 <img height="auto" width="45%" src="/assets/courseware/v1/875334e97b071a965f8e8f81c49fce36/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1109.jpg" alt="09, Kinokunizaka in Akasaka, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /> 36<img height="auto" width="45%" src="/assets/courseware/v1/fceed01cdfc3edc3bfcb25d083b6af59/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1136.jpg" alt="36, View of Atagoyama, 1878, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<p><span style="font-size: 16px;">42<img height="auto" width="45%" src="/assets/courseware/v1/3d7f3ee42fc7e03ac2f2d14c612437c1/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1142.jpg" alt="42,View from the Old Yushima Seidō, 1879, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /> 32<img height="auto" width="45%" src="/assets/courseware/v1/436373123be0a714d12bf80e8aaa5dd3/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1132.jpg" alt="32, Daybreak at Kanda Shrine, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></span></p>
<p></p>
<p></p>
<p>Low City:</p>
<p>37<img height="auto" width="45%" src="/assets/courseware/v1/0ca702ad9f3690c4f42f2b38f5588c82/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1137.jpg" alt="37, Mount Fuji from Edobashi at Dusk, 1879, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /> 71<img height="auto" width="45%" src="/assets/courseware/v1/75a288b85621ec7bca1b7ce61498ccfb/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1171.jpg" alt="71, Ryōgoku Bridge Viewed from Senhonkui, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<p></p>
<p>04<img height="auto" width="45%" src="/assets/courseware/v1/d223abdf712781defc5ed6243e83e1d6/asset-v1:MITx+VTx+1T2019+type@asset+block/S2003_8_1104.jpg" alt="04, Along Shinobazu Pond in the Rain, 1880, by Kobayashi Kiyochika, from woodblock print series Famous Views of Tokyo" /></p>
<p></p>
<p></p>
<p></p>
<p></p>
<p></p>
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Numerical Input
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<p>Type in the two-digit number of the print that is described (for numbers under ten, start with zero)</p>
<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 1" role="group"><div id="formulaequationinput_f654e0005d394ee5803f93684de83118_2_1" class="inputtype formulaequationinput">
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<label class="problem-group-label" for="input_f654e0005d394ee5803f93684de83118_2_1" id="label_f654e0005d394ee5803f93684de83118_2_1">At the city&#8217;s highest natural elevation, people relax in a teahouse. One wears traditional kimono; another is in Western clothes. The smoke emitting from the Western-clothed man shows mesh-like patterns similar to cross-hatchings of copperplate lithography.</label>
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<label class="problem-group-label" for="input_f654e0005d394ee5803f93684de83118_3_1" id="label_f654e0005d394ee5803f93684de83118_3_1">Stakes (senbon, meaning &#8220;one thousand stakes,&#8221; and gui, &#8220;a bend in the river&#8221;) protect the banks from erosion. The lone fisherman indicates a favored fishing location where saltwater and freshwater fish mingled. The stakes provided prime habitats for giant carp, still prized in Edo cuisine.</label>
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\(\)
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 3" role="group"><div id="formulaequationinput_f654e0005d394ee5803f93684de83118_4_1" class="inputtype formulaequationinput">
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<label class="problem-group-label" for="input_f654e0005d394ee5803f93684de83118_4_1" id="label_f654e0005d394ee5803f93684de83118_4_1">Marshy river banks open on to seemingly endless expanses of sky, river, and the bay beyond. The profusion of lotus flowers show an almost Impressionist expression of colors, freed of reliance on line and contour. For the keyblock outline, Kiyochika employed softer brown instead of black&#8212;a striking departure from the norm of traditional woodblock printing.</label>
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<label class="problem-group-label" for="input_f654e0005d394ee5803f93684de83118_5_1" id="label_f654e0005d394ee5803f93684de83118_5_1">The gas lamp is a prominent framing device, though partially obstructed by a pine tree. Oil torches line the embankment, their flickering flames contrasted with the enclosed and steady stream of gas. Nihonbashi, visible in the far distance, was built in wood, albeit in the Western style. Shown in vague silhouette behind it are Mount Fuji.</label>
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<label class="problem-group-label" for="input_f654e0005d394ee5803f93684de83118_6_1" id="label_f654e0005d394ee5803f93684de83118_6_1">Formerly the official training academy for Tokugawa samurai, the school shared its premises with Japan&#8217;s first state-run women&#8217;s college for teachers, earning its appellation as the &#8220;birthplace of public school education.&#8221; In Kiyochika&#8217;s print, the site of learning is obscured behind woods. The telegraph wires lead the viewer&#8217;s eye to the far distance.</label>
<input type="text" name="input_f654e0005d394ee5803f93684de83118_6_1" id="input_f654e0005d394ee5803f93684de83118_6_1" data-input-id="f654e0005d394ee5803f93684de83118_6_1" value="" aria-describedby="status_f654e0005d394ee5803f93684de83118_6_1" size="20"/>
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<p><strong>End of Module II</strong></p>
<p></p>
<p>Congratulations, excellent work! You have finished Module II, and Kiyochika's views of Tokyo. Now the course moves to the work of Koizumi Kishio. </p>
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