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<h2 class="hd hd-2 unit-title">Day 16 – Koizumi's “100 Views of Great Tokyo in the Shōwa Era”</h2>
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<p>Finally, today we get to Koizumi's 100 views!</p>
<p><strong>Day 16 - Koizumi Kishio “100 Views of Great Tokyo in the Shōwa Era” (1928–1940)</strong> will cover:</p>
<ul>
<ul>
<li><span style="font-size: 1em;">Koizumi's “100 Views of Great Tokyo in the Shōwa Era” (1928–1940)
</span></li>
<li><span style="font-size: 1em;">Koizumi: Training and Foreign Influences
</span></li>
<li><span style="font-size: 1em;">Koizumi: Portrait and Sketches </span></li>
<li><span style="font-size: 1em;">
Koizumi's Annotations </span></li>
</ul>
</ul>
<p><strong>Day 16 Quiz – Series Aesthetics</strong></p>
<p></p>
</div>
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<h2 class="hd hd-2 unit-title">Koizumi's “100 Views of Great Tokyo in the Shōwa Era” (1928-1940)</h2>
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<p>Koizumi was ”a known figure in the world of personalized printmaking,“ but it was only with the rise of the new Tokyo after the 1923 earthquake that he abandoned nostalgia for modernity. His 100 views series propelled ”Koizumi to the front rank of original chroniclers of Japan‘s dramatic leap forward into modernity.“</p>
<blockquote>
<h5>Koizumi was a known figure in the world of personalized printmaking. From the age of sixteen he had been immersed in the avant-garde world of artists and publishers who were intent on broadening the horizons of the conservative Japanese art establishment through the infusion of European perspectives. In 1920, he issued a 12-print series celebrating views of Tokyo, especially in the old eastern part of the city around Asakusa, and other works followed. Much of this, however, still remained largely nostalgic. It took the Kantō earthquake and city that emerged from its ashes to propel Koizumi to the front rank of original chroniclers of Japan’s dramatic leap forward into modernity. His deservedly famous “100 Views of Tokyo in the Shōwa Era” (Shōwa Dai Tokyo Hyakuzue Hanga) was produced over an exceptionally long period of time, beginning in 1928 and continuing to late 1940. (Ulak, "Celebrating Place," <span style="font-style: italic;">Tokyo Modern—I</span>, MIT Visualizing Cultures)</h5>
<p></p>
</blockquote>
<p>In the end, Koizumi made a total of 109 prints when the revised versions are included.</p>
<blockquote>
<h5>There are nine revised images in the final list of the 100 selected for the retrospective set, seven of which are dated to 1940. One has a 1939 date and another is undated but, based on context, was surely created in 1940. The revised images are usually dramatically different in concept from the originals. While in his annotated list, Koizumi privileges only 100 prints, some of his comments reference comparisons between the original and the revised image. It remains unclear whether or not the retrospective set, which listed only 100 prints, also included the originals “deposed” from the catalogue list. (Ulak, <em>Tokyo Modern—II</em>, MIT Visualizing Cultures)</h5>
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<h3 class="hd hd-2">Koizumi's “100 Views of Great Tokyo in the Shōwa Era”</h3>
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<h2 class="hd hd-2 unit-title">Koizumi: Training and Foreign Influences</h2>
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<p>Koizumi was well-known in the print world as an avant-garde artist, and for publishing a popular ”how-to“ guide to making woodblock prints: ”His little book established the print as a form of personal expression.“</p>
<blockquote>
<h5>In 1924, at the same time Hiratsuka’s earthquake series was circulating, Koizumi Kishio (1895–1945) published an instructional guide titled <em>How to Carve and Print Woodblocks</em>. This well-received and thoroughly practical work underscored a fundamental shift in the use of the woodblock print as a genre.</h5>
<h5>For centuries print production was a guild activity in which the triumvirate of designer, block carver and printer worked under the direction of a publisher. Koizumi’s publication was a tool made available to any individual inclined to pursue the medium as a hobbyist or professional. His little book established the print as a form of personal expression. (Ulak, ”Celebrating Place,“ <em>Tokyo Modern—I</em>, MIT Visualizing Cultures)</h5>
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<h2 class="hd hd-2 unit-title">Koizumi: Portrait and Sketches</h2>
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<p>Prior to this course, the Visualizing Cultures team was not able to find a portrait of Koizumi Kishio. Prof. Dower and his wife, Yasuko Dower, researched the topic in Japanese publications and were able to find a number of rare exhibition catalogs<span style="line-height: 1.6;"> (published by the Shinshu Shinmachi Bijutsukan)</span><span style="font-size: 1em; line-height: 1.6em;"> that included images of the artist.</span></p>
<p>Prof. Dower shares the catalogs in the following video:</p>
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<h2 class="hd hd-2 unit-title">Koizumi's Annotations</h2>
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<p>In an unusual move, Koizumi made a chart listing of his 100 views with personal annotations.</p>
<blockquote>
<h5>After his “100 Views” was completed late in 1940, Koizumi prepared an idiosyncratic list of cryptic comments or captions about each print to accompany the full, marketed set. Often whimsical and sometimes just strange, these occasionally shed unexpected light on his choice of subjects. The original woodblock-print chart of print titles, dates, and comments by Koizumi accompanied publication of the completed series in 1942. Page 1 and 2, appear below. (Visual Narratives, <em>Tokyo Modern—1</em>, MIT Visualizing Cultures)</h5>
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<div>The tone of the annotations is somewhat obtuse, but nevertheless, interesting in indicating what the artist remembered about the locations.</div>
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<blockquote>
<h5>The artist’s remarks are clearly retrospective in tone. Thus, in a number of instances, when commenting on a print created earlier in the series, Koizumi might note how the image is already out of date because the site has changed dramatically due to urban growth. Almost all comments are rendered in a shorthand style that is sometimes a straightforward description of the scene and other times a maddeningly oblique comment studded with arcane historical references. The choice of print subjects and the commentaries presume a literate Japanese viewer/reader with a very current knowledge of Tokyo in the 1920s and 1930s. (Ulak, <em>Tokyo Modern—II</em>)</h5>
</blockquote>
<div><br /><img src="/assets/courseware/v1/4f61c9c4e0da710f8b943074f566c69c/asset-v1:MITx+VTx+1T2019+type@asset+block/kk_ann01.jpg" alt="Koizumi 1940 annotations about his 100 Views page 1" /></div>
<h5><br />Caption (above): Koizumi Kishio, annotations, page 1, on his 100 views of Tokyo series, a hand-written chart of titles, dates, and comments, 1942. (Courtesy of The Wolfsonian–FIU, Miami Beach, FL, The Mitchell Wolfson, Jr. Collection)<br /><br /><br /></h5>
<div><img height="auto" width="100%" src="/assets/courseware/v1/c9c59db0e28df5039df86ec140e00899/asset-v1:MITx+VTx+1T2019+type@asset+block/kk_ann02.jpg" alt="Caption (above): Koizumi Kishio, annotations, page 2, on his 100 views of Tokyo series, a hand-written chart of titles, dates, and comments, 1942. Courtesy of The Wolfsonian–FIU, Miami Beach, FL, The Mitchell Wolfson, Jr. Collection" /></div>
<h5><br />Caption (above): Koizumi Kishio, annotations, page 2, on his 100 views of Tokyo series, a hand-written chart of titles, dates, and comments, 1942 (Courtesy of The Wolfsonian–FIU, Miami Beach, FL, The Mitchell Wolfson, Jr. Collection)</h5>
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<h2 class="hd hd-2 unit-title">Day 16 Quiz – Series Aesthetics</h2>
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<p>How did Koizumi approach the daunting task of a subscription series of 100 views? It took him from 1928 to 1940—twelve years—to complete. In the end, he had produced 109 views. </p>
<blockquote>
<h5>The series started off slowly: the inaugural print in 1928, two prints in 1929, five in 1930, jumping to 11 in 1931, and then, with the exception of only six in 1933, moving at a pace numbering in the mid-teens until near completion in 1937. In 1940, six other images plus variant versions of places commemorated earlier were produced. Random prints of other sites actually raised the number in the series to one-hundred-and-nine views. Considering his other commissions and work as a woodblock cutter, Koizumi’s output was impressive. (Ulak, "Celebrating Place," <em>Tokyo Modern—1</em>)</h5>
<h5></h5>
</blockquote>
<p>What was their appeal? Dr. Ulak describes them as understated and individualistic. Koizumi uses a variety of perspectives: low angles looking up at the subject, aerial views, forms that ”burst beyond the frame“ or ”emerge like an opening fan.“ More simply designed prints ”provoke the viewer’s curiosity and even perplexity about the artist’s choice of subject.“</p>
<p>As you view the prints, look for these compositional attributes, and how they inform the subject.</p>
<blockquote>
<h5>The aesthetic appeal of Koizumi’s series lies in the understated personality that pervades the views. The idiosyncratic perspectives of a single individual are readily apparent, as is the soft, loving attention given to his highly distinctive cosmology. In some of his most effective compositions, Koizumi adopts a perspective that looks up to the main feature in the scene, whereas his panoramas or bird’s-eye views seem more detached.</h5>
<h5>Powerful forms frequently burst beyond the frame of the print, suggesting an uncontrollable scale. Other scenes allow the composition to emerge like an opening fan, with greatness bestowed upon the subject by a benevolent blue sky. Still other prints variously employ the upper register of the composition to draw the eye from bottom to top. Views not so notable in ingenuity of composition or other technique can elicit an intellectual interest—or, sometimes, simply provoke the viewer’s curiosity and even perplexity about the artist’s choice of subject. (Ulak, ”Celebrating Place,“ <em>Tokyo Modern—1</em>)</h5>
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<p>Look at the prints, and match their aesthetic design and perspective with the descriptions by Dr. Ulak in the dropdown below.</p>
<p>19<img height="auto" width="30%" src="/assets/courseware/v1/c71b6103f75859f3ef6c033efaf932e6/asset-v1:MITx+VTx+1T2019+type@asset+block/kk019a_1931_w087_fest_2000w.jpg" alt="Fall Festival at Yasukuni Shrine (#19), October 1931, by Koizumi Kishio, “100 Views of Great Tokyo in the Shōwa Era” woodblock print series" /> 31<img height="auto" width="30%" src="/assets/courseware/v1/3ad9dd7863204295298bd19daf56af38/asset-v1:MITx+VTx+1T2019+type@asset+block/kk031_1932_w075_brdcast_2000w.jpg" alt="Broadcasting Station at Atagoyama (#31), August 1932, by Koizumi Kishio, “100 Views of Great Tokyo in the Shōwa Era” woodblock print series" /> 46<img height="auto" width="30%" src="/assets/courseware/v1/ecd65aea6e7ae9a8be8052f659bc109a/asset-v1:MITx+VTx+1T2019+type@asset+block/kk046_1934_w058_theatre_2000w.jpg" alt="Night View of the Kabuki Theatre (#46), February 1934, by Koizumi Kishio, “100 Views of Great Tokyo in the Shōwa Era” woodblock print series" /></p>
<p>44<img height="auto" width="30%" src="/assets/courseware/v1/5cd6049dcf7d6c7f8a59a5f9ecd1b3b2/asset-v1:MITx+VTx+1T2019+type@asset+block/kk044et_1934_NihonbashiBridge_2000w.jpg" alt="Nihon Bridge on a Holiday (#44), January 1934, by Koizumi Kishio, “100 Views of Great Tokyo in the Shōwa Era” woodblock print series" /> 52<img height="auto" width="30%" src="/assets/courseware/v1/535a6f9ebe4c0fe0c848e7d4e967e97c/asset-v1:MITx+VTx+1T2019+type@asset+block/kk052_1934_w054_palace_2000w.jpg" alt="Detached Palace [Akasaka] (Formerly Palace of Crown Prince) (#52), June 1934, by Koizumi Kishio, “100 Views of Great Tokyo in the Shōwa Era” woodblock print series" /> 94<img height="auto" width="30%" src="/assets/courseware/v1/7d6f2895376bd103653cd1053540af49/asset-v1:MITx+VTx+1T2019+type@asset+block/kk094_1937_w006_pond_crop_2000w.jpg" alt="Rainy View of Senzoku Pond (Rainy Season) (#94), July 1937, by Koizumi Kishio, “100 Views of Great Tokyo in the Shōwa Era” woodblock print series" /> <br /><br />(Images: The Wolfsonian–FIU, Miami Beach, FL, The Mitchell Wolfson, Jr. Collection)</p>
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Dropdown - Match Print with Aesthetic Perspective
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 1" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_401ec27a247d4c6db6fbfed382aafd96_2_1" id="label_401ec27a247d4c6db6fbfed382aafd96_2_1">A perspective that looks up to the main feature in the scene.</label>
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<option value="option_401ec27a247d4c6db6fbfed382aafd96_2_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<span class="status unanswered" id="status_401ec27a247d4c6db6fbfed382aafd96_2_1" data-tooltip="Not yet answered.">
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<p class="answer" id="answer_401ec27a247d4c6db6fbfed382aafd96_2_1"/>
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 2" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_401ec27a247d4c6db6fbfed382aafd96_3_1" id="label_401ec27a247d4c6db6fbfed382aafd96_3_1">Panoramas or bird&#8217;s-eye view</label>
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<option value="option_401ec27a247d4c6db6fbfed382aafd96_3_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<span class="status unanswered" id="status_401ec27a247d4c6db6fbfed382aafd96_3_1" data-tooltip="Not yet answered.">
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<p class="answer" id="answer_401ec27a247d4c6db6fbfed382aafd96_3_1"/>
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 3" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_401ec27a247d4c6db6fbfed382aafd96_4_1" id="label_401ec27a247d4c6db6fbfed382aafd96_4_1">Composition to emerge like an opening fan, with greatness bestowed upon the subject by a benevolent blue sky</label>
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<option value="option_401ec27a247d4c6db6fbfed382aafd96_4_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<span class="status unanswered" id="status_401ec27a247d4c6db6fbfed382aafd96_4_1" data-tooltip="Not yet answered.">
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<p class="answer" id="answer_401ec27a247d4c6db6fbfed382aafd96_4_1"/>
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 4" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_401ec27a247d4c6db6fbfed382aafd96_5_1" id="label_401ec27a247d4c6db6fbfed382aafd96_5_1">Powerful forms that burst beyond the frame of the print suggesting an uncontrollable scale</label>
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<option value="option_401ec27a247d4c6db6fbfed382aafd96_5_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<span class="status unanswered" id="status_401ec27a247d4c6db6fbfed382aafd96_5_1" data-tooltip="Not yet answered.">
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 5" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_401ec27a247d4c6db6fbfed382aafd96_6_1" id="label_401ec27a247d4c6db6fbfed382aafd96_6_1">Draw the eye from bottom to top</label>
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<option value="option_401ec27a247d4c6db6fbfed382aafd96_6_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<span class="status unanswered" id="status_401ec27a247d4c6db6fbfed382aafd96_6_1" data-tooltip="Not yet answered.">
<span class="sr">unanswered</span><span class="status-icon" aria-hidden="true"/>
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<p class="answer" id="answer_401ec27a247d4c6db6fbfed382aafd96_6_1"/>
</div></div>
<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 6" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_401ec27a247d4c6db6fbfed382aafd96_7_1" id="label_401ec27a247d4c6db6fbfed382aafd96_7_1">Not so notable of composition, but provokes the viewer&#8217;s curiosity and even perplexity about the artist&#8217;s choice of subject</label>
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<option value="option_401ec27a247d4c6db6fbfed382aafd96_7_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
</select>
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Dropdown - Match Print with Koizumi&#39;s Annotation
</h3>
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 1" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_d973ea7dd9bb4714a3e2122588595964_2_1" id="label_d973ea7dd9bb4714a3e2122588595964_2_1">&#8220;The JOAK broadcasting center has now moved to Marunouchi. They say that Atagoyama was built from the dirt excavated when the castle moat was constructed.&#8221;</label>
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<option value="option_d973ea7dd9bb4714a3e2122588595964_2_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<span class="status unanswered" id="status_d973ea7dd9bb4714a3e2122588595964_2_1" data-tooltip="Not yet answered.">
<span class="sr">unanswered</span><span class="status-icon" aria-hidden="true"/>
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<p class="answer" id="answer_d973ea7dd9bb4714a3e2122588595964_2_1"/>
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<label class="problem-group-label" for="input_d973ea7dd9bb4714a3e2122588595964_3_1" id="label_d973ea7dd9bb4714a3e2122588595964_3_1">&#8220;This is the celebration of the birth of the Crown Prince. An airplane is in the sky and the flower bedecked train cars cross the bridge. It has been a long time since we&#8217;ve seen those trains.&#8221;</label>
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<option value="option_d973ea7dd9bb4714a3e2122588595964_3_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<div class="indicator-container">
<span class="status unanswered" id="status_d973ea7dd9bb4714a3e2122588595964_3_1" data-tooltip="Not yet answered.">
<span class="sr">unanswered</span><span class="status-icon" aria-hidden="true"/>
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<p class="answer" id="answer_d973ea7dd9bb4714a3e2122588595964_3_1"/>
</div></div>
<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 3" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_d973ea7dd9bb4714a3e2122588595964_4_1" id="label_d973ea7dd9bb4714a3e2122588595964_4_1">&#8220;It is said that the monk Nichiren washed his feet at this pond. This is a view from the second floor of the boat house.&#8221;</label>
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<option value="option_d973ea7dd9bb4714a3e2122588595964_4_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
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<span class="status unanswered" id="status_d973ea7dd9bb4714a3e2122588595964_4_1" data-tooltip="Not yet answered.">
<span class="sr">unanswered</span><span class="status-icon" aria-hidden="true"/>
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<p class="answer" id="answer_d973ea7dd9bb4714a3e2122588595964_4_1"/>
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 4" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_d973ea7dd9bb4714a3e2122588595964_5_1" id="label_d973ea7dd9bb4714a3e2122588595964_5_1">&#8220;This place has the appearance of a palace in a fairy tale. The ruler of Manchuko stayed here twice.&#8221;</label>
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<option value="option_d973ea7dd9bb4714a3e2122588595964_5_1_dummy_default">Select an option</option>
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<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
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<span class="status unanswered" id="status_d973ea7dd9bb4714a3e2122588595964_5_1" data-tooltip="Not yet answered.">
<span class="sr">unanswered</span><span class="status-icon" aria-hidden="true"/>
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<p class="answer" id="answer_d973ea7dd9bb4714a3e2122588595964_5_1"/>
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 5" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_d973ea7dd9bb4714a3e2122588595964_6_1" id="label_d973ea7dd9bb4714a3e2122588595964_6_1">&#8221;In the old days one could see a circus, ragtag band of musicians and even moving pictures. There are large festivals here both in autumn and in spring.&#8221;</label>
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<option value="option_d973ea7dd9bb4714a3e2122588595964_6_1_dummy_default">Select an option</option>
<option value="19 Fall Festival at Yasukuni Shrine"> 19 Fall Festival at Yasukuni Shrine</option>
<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<div class="indicator-container">
<span class="status unanswered" id="status_d973ea7dd9bb4714a3e2122588595964_6_1" data-tooltip="Not yet answered.">
<span class="sr">unanswered</span><span class="status-icon" aria-hidden="true"/>
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<p class="answer" id="answer_d973ea7dd9bb4714a3e2122588595964_6_1"/>
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<div class="wrapper-problem-response" tabindex="-1" aria-label="Question 6" role="group"><div class="inputtype option-input ">
<label class="problem-group-label" for="input_d973ea7dd9bb4714a3e2122588595964_7_1" id="label_d973ea7dd9bb4714a3e2122588595964_7_1">&#8220;The stunning fa&#231;ade of the Kabukiza. Red signs naming the actors add luster to the entrance.&#8221;</label>
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<option value="option_d973ea7dd9bb4714a3e2122588595964_7_1_dummy_default">Select an option</option>
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<option value="31 Broadcasting Station at Atagoyama"> 31 Broadcasting Station at Atagoyama</option>
<option value="46 Night View of the Kabuki Theatre"> 46 Night View of the Kabuki Theatre</option>
<option value="44 Nihon Bridge on a Holiday"> 44 Nihon Bridge on a Holiday</option>
<option value="52 Detached Palace [Akasaka] Formerly Palace of Crown Prince"> 52 Detached Palace [Akasaka] Formerly Palace of Crown Prince</option>
<option value="94 Rainy View of Senzoku Pond"> 94 Rainy View of Senzoku Pond</option>
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<div class="indicator-container">
<span class="status unanswered" id="status_d973ea7dd9bb4714a3e2122588595964_7_1" data-tooltip="Not yet answered.">
<span class="sr">unanswered</span><span class="status-icon" aria-hidden="true"/>
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<p class="answer" id="answer_d973ea7dd9bb4714a3e2122588595964_7_1"/>
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<p>You have completed Day 16 – Koizumi's “100 Views of Great Tokyo in the Shōwa Era."</p>
<p>Next, you will see a REFERENCE section that allows you to scroll through the entire series and read Koizumi‘s annotations in English translation: followed by a Gallery view that enables you to enlarge all the prints.</p>
<p></p>
</div>
</div>
</div>
</div>